TUESDAY 13 OCTOBER 09
open keyboard
PIANO NIGHT
new art in the basement
JULES LILY
new art on the bar wall
HEATHER BLOCKEY
Rainbow study and other fleeting comments
mixed media canvases
new art on the far wall
JEANNETTE PETRIK
Currently studying Product Design at Central Saint
Martins College of Arts and Design Jeannette Petrik
expresses an analytical way to look at things in
her art in form of photography, drawing, film or
three-dimensional art and design.
For this exhibition she has produced a series of
photographs inspired by selections of modern
literature with a particular emphasis placed on the
theme of identity.
The garbage-bins of all the houses in the street
were full of rats.....
WEDNESDAY 14 OCTOBER 09
new film on the video screens
GAY
'
'
Stuart Alexander
I made these films in the early mornings over the
last year with a hidden camera and without the
subject's knowing or consent. Some films were made
by chance depending on a suitable person choosing
to sit opposite me and how they chose to sit and
some were the result of where I chose to sit based
on the same dependant factors. All films were made
on the London underground exclusively on the
Northern Line between Archway and Tufnell Park.
As the subjects are faceless it makes it easier
for the audience to relate to them leading to the
question, does the male audience relate and feel
uncomfortable at me speculatively putting them
into this context of "prey" or object of
homosexual desire? Are they offended? Do they now
question their own sexuality? Or my morality? Or
both? Does being forced into staring at the
crotches of other men make them feel
uncomfortable? If so why?
From a woman's perspective, does a female viewer
feel uncomfortable being forced to look? Do they
feel more comfortable in doing so as it does not
offend their machismo pride? Or more uncomfortable
because women are not used to being so predatory?
Because they're used to being submissive to men,
whereas most men are not?
Does the audience feel as though they will be
judged by those around them (the other viewers)
for watching these films? Or does the fact that
they are watching the films with others reassure
them, like Sartre's bad faith? The film makes men
powerless, like they make the viewer powerless as
it forces both into a situation where they are to
be judged and to feel uncomfortable.
THURSDAY 15 OCTOBER 09
new art in the vaults
HANNAH PERRY WARREN GARLAND
TUESDAY 20 OCTOBER 09
open keyboard
PIANO NIGHT
new art in the library
CRISTINA COCULLO and EMANUELA FRANCHINI
The exhibition is inspired by the Grelling's
paradox, also known as the Heterological Paradox.
According to this semantic paradox, words that
describe exactly what they are - such as 'short' -
are named autological. Words that don't - such as
'long' - are referred to as heterological. The
paradox arises then, when one considers whether the
word heterological is indeed autological or not.
Heterological Boundaries comprises a series of
diptyches in which both artists' photos are
juxtaposed, with the aim of representing
Grelling's paradox in pictures. The unlikely union
of the two artists' very different photographic
style forms a series of new images and unleashes
new meanings for viewers to discover.
"We have always been attracted to each other's
photography and the different images we use to
convey similar meanings, Grelling goes to the very
heart of what we are trying to portray and
challenges our sense of meaning." Cristina Cocullo
"We decided on the concept of the exhibition early
on as we both believe that photography is the best
conduit for conveying meaning, these double images
sit together without explanation as we want to let
people come to their own conclusions about what
label belongs to each image. After all, while all
the photos are heterological images, a closer look
might break through boundaries to reveal their
autological meanings." Emanuela Franchini
new art on the bar wall
MARK STRINGER
I'm sure it was there a moment ago
The show attempts to explore the forgetful nature
of the artist and his relationship with the
photographic document as evidence.
new art in the vaults
STUART LEECH
SKIMMING STONES
Skimming Stones documents the English beaches that
Stuart visited during his childhood holidays.
Examining his own past, while exploring the British
summer and holidaying at home.
WEDNESDAY 21 OCTOBER 09
new art in the basement
FACE IT
"Face It" is a series of works inspired by portraits
and emotions. Featuring Uk and international based
artists. a showcase of diverse works, in the
basement of The Foundry. Curated by the artist
Catherine Howell
artists:
Stefano "Phen" Buccarello, Greg Charlton,
Catherine Howell, Faye Joines, Soheila Keyani,
Mathieu Leger, Sevan Nigogosian, Ushma Pala,
Fatime Szazsi, Riki Digerud Waring, Lob Zilla
SUNDAY 25 OCTOBER 09
WELCOME TO WORMWORLD
open mic poetry
sign up by 8pm
perform 8.30-9.30pm
TUESDAY 27 OCTOBER 09
open keyboard
PIANO NIGHT
New art in the vaults
YURI PIRONDI
new art on the stair well
MATT JONES
WEDNEDAY 28 OCTOBER 09
new art on the far wall
ANDY MORRICE
opening night with incidental music
THURSDAY 29 OCTOBER 09
new art in the library...
Critique of the Institution ii - Cry for Help
a tribute to Zmijewski
MICHAEL BUCKNELL, MA, AICA
New screen prints, digital prints, video painting etc
Investigating negativity in perception of the artist
"for the record, in the view of the department and the University's
senior officers, your behaviour in the period leading-up to this
deadline, have been vexatious, disproportionate and persistently
unreasonable. Your actions have caused upset and distress to a number of
colleagues whose efforts to afford a professional service were
repeatedly met with discourteous rejection and/or belligerent
obfuscation. At times your manner was intimidating."
SATURDAY 31 OCTOBER 09
FOUNDRY HALLOWEEN PARTY
featuring
DISCO_R.DANCE
SUNDAY 01 NOVEMBER 09
>>basement
Join us this Day of the Dead for an evening of
cinematic ritual performance by Raymond Salvatore
Harmon at London's legendary Foundry.
'Visions of the Al Azif' is a cinematic meditation
of the altered states explored by the mad Arab Abdul
Alhazred, author of the Necronomicon.
The Al Azif (H.P. Lovercraft's famed Necronomicon)
was a massive collection of the madness induced
poetic hallucinations of its author. Similar in
structure to other Sufic works of the period the Al
Azif speaks of unheard of eons before man walked the
earth. Populated with demons and other creatures of
questionable age who had come to earth seeking
refuge from the emptiness of space.
The evening's performance will be the first
screening of these rare and illusive documents of
the visionary states that must be obtained in order
to communicate with the Great Old Ones of mankind's
forgotten past. These detailed organic abstractions
illustrate the vivid hallucinatory states and
madness inducing transcendental experiences that led
to the author's untimely death.
The performance will take place in the catacombs
under the Foundry.
TUESDAY 03 NOVEMBER 09
open keyboard
PIANO NIGHT
New art in the vaults
ANT THE RANT
new art in the basement
MARK RATHMALL
new art in the libary
ISABEL FREINKEL
"Knitting and drawings by LCF graduate and temp Isabel Freinkel"
WEDNESDAY 04 NOVEMBER 09
THURSDAY 05 NOVEMBER 09
TUESDAY 10 NOVEMBER 09
open keyboard
PIANO NIGHT
new art on the bar wall
DAVID GONZALEZ
new art in the vaults
ST & ST
St. & St.
St. & St. is the project name of the two collaborating artists
STEPHAN HALTER AND STEPHANIE GERNER.
Both were born 1977 in Germany. They live and work in Berlin.
In their work they explore hierarchic systems,
supervision and standardization as well as
stereotypical thinking.
For that reason they don't confine themselves to a
certain technique or media and always integrate the
room as part of their work.
1-day event in the basement....
THE ATROCITY ORGANIZATION
JG Ballard & the Technologies of Psychopathology Management
A kind of waiting madness, like a state of undeclared
war, haunted the office buildings of the business
park. - J.G. Ballard, Super-Cannes
As a novelist and fiction SF writer, JG Ballard
developed one of the most dynamic (and disturbing)
exploration of collective psychopathology, excesses
in organizational life, and the collapsing of the
Western imaginary. From the fetish of the car crash
to obscene hidden violence of the business park,
internment camps to masochist fantasies directed
through the mediated form of Ronald Reagan's body,
Ballard's work ventures into territories that are
disconcerting to explore, but from which one can
learn a great deal. Rather than assuming that
disorder and excess is a condition that management
and organization must respond to, this event will
explore the proposition that what might really be
psychopathological is the desire to impose order upon
an inherently ungovernable and excessive condition.
new art on the far wall
STEFAN ROMAN
HARD SHOULDER
Vistas and architecture drafted from the point of
view of a truck driver.
Images that flit by day to day in random fashion,
individually caught, captured, distilled and
processed in large scale drawings.
new art in the library
CHRISTOPHER RAINBOW
The Cave Wall Sings at The Foundry
"This series of works emanates from an extensive
period of visits to asylum seekers held in remand at
Harmondsworth Immigration Detention Centre, near
Heathrow. The plight of Daniel, a Nigerian detainee
fleeing the murderous tendrils of an influential
cult, the Ogboni struck a particularly powerful
chord. Over months of visits, I was witnessed and
shared his fears, crises and friendship as he
confronted the dual threats of potential harm
through extradition back into his persecutors' hands
and the boredom and brutalisation on incarceration
in the UK. From creating reportage comic strips and
illustration documenting my relationship with
Daniel, I have increasingly found myself imagining
and visualising his dream, fantasies and memories.
This sets up an intriguing paradox - as I try to
understand the situation through his eyes by means
of creative exploration, I start to create my own
fiction."
Christopher Rainbow is an artist / illustrator
exploring narrative strands through drawing, collage
and mural. He is a regular contributor to Blueprint
magazine and illustration commissions include works
for Lex records, BBC Collective and Barbican.
Following a mis-spent youth spent running riot with
a spray can in a sleepy seaside town with compadres
The Pugilist and Neon Noodle; he formed the Ziko
collective with Matt Littler. Their artwork can be
seen at www.zikotown.com. By night, he runs howling
through the streets of London with a pack of foxes.
THURSDAY 12 NOVEMBER 09
are you ZINE FRIENDLY?
Alternative Press are hosting another awesome
evening of Zines, comix, book arts and poetry at our
second Zine Friendly event at the foundry, in order
to promote our new project, the Zine Friendly Blog!
A resource for self-publishers far and wide, it will
list venues, promoters, stockists and events that
are all "Zine Friendly"!
We are inviting small pressers everywhere to come
down and promote their own work. For free! All we
are asking is that people donate what they can, even
a zine or two, to help Alternative Press to keep
promoting the scene.
There will be communal tables where self publishers
can sell their work. Printmakers or those with large
work are encouraged to use the walls as a
spontaneous temporary free arts space where you can
stick up your work DIY style! BYOB (Bring Your Own
Blu-tak!) Also, we are inviting some zine
distributors to represent as much of what is going
on in the scene as we can.
We'll be having a cake sale with free tea, Knitting
Circle, CD compilation lucky dip (just bring a cd of
your own favourite music and take your pick!), free
blank zines for you to use and a poetry workshop
followed by some performances and a short open mic...
Things will kick off at 7pm until around 11pm.
SATURDAY 14 NOVEMBER 09
VINYL PLREASURES / UGLYFUNK
SUNDAY 15 NOVEMBER 09
bar floor DISCO_R.DANCE
basement AMPERSAND
_ _ ...check back later for more info!
84-86 GREAT EASTERN STREET LONDON EC2 020 7739 6900